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Reconstruction and Narrative Innovation of Chinese Film Industrial Aesthetics Driven by Artificial Intelligence Technology
  • ISSN:3041-0843(Online) 3041-0797(Print)
  • DOI:10.69979/3041-0843.26.02.043
  • 出版频率:Quarterly Publication
  • 语言:English
  • 收录数据库:ISSN:https://portal.issn.org/ ; 中国知网:https://scholar.cnki.net/journal/search; RCCSE权威核心学术期刊:http://qk.nseac.com

Reconstruction and Narrative Innovation of Chinese Film Industrial Aesthetics Driven by Artificial Intelligence Technology 

Zhang Jingwen

Communication University of China Nanjing, Nanjing Jiangsu China,211172;

Abstract:In the era of rapid iteration of digital technology, Artificial Intelligence (AI) has deeply penetrated the entire chain of Chinese film creation, production, distribution and communication, promoting the systematic reconstruction of Chinese film industrial aesthetics and injecting new impetus into film narrative innovation. Based on the development reality of Chinese film industry, this paper combs the application status of AI in film field, focuses on analyzing the reconstruction path of AI to Chinese film industrial aesthetics, discusses its innovative practice in narrative theme, narrative structure and narrative expression, analyzes the dilemmas in current development, and puts forward targeted optimization strategies. It provides theoretical reference and practical reference for the deep integration of AI and Chinese film industry and the high-quality development of Chinese cinema.

Key words: Artificial Intelligence; Chinese Cinema; Industrial Aesthetics; Narrative Innovation; Film Industry; Technological Integration

References

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[2] Guangming Online. A Decade of AI Reshaping the Film and Television Industry: From Tool Revolution to Ecological Reconstruction[J]. Film and Television Industry Review, 2025(11): 28-35.

[3] Liu Jiakai. Narrative Innovation and Cultural Expression of AI Films: Taking Mother·Horse as an Example[J]. Film Literature, 2026(08): 45-52.

[4] Yang Junlei. "Fault Aesthetics" and Aesthetic Innovation of AIGC Images[J]. Film Art, 2025(06): 78-85.

[5] Suo Yabin. Reconstruction of Chinese Film Aesthetic Ecology under Technology and Market Superposition[J]. Contemporary Cinema, 2025(05): 36-43.