
info@juzhikan.asia
Chongqing University, Chongqing, 400000;
Abstract: This study investigates the relationship between camera movement and audience emotional resonance in dance imagery, examining four dimensions: concrete translation, core dimensions, practical approaches, and guiding mechanisms. It demonstrates how camera movement concretely encodes dance emotions through trajectory, speed, and perspective, while establishing resonance foundations via spatial, rhythmic, and cognitive empathy. By optimizing movement types, hierarchical design, and spatial configurations, the research enhances resonance effects, ultimately serving to amplify emotional symbolism, activate immersive perception, clarify emotional logic, and expand resonance boundaries. The study reveals the intrinsic mechanisms of camera movement in guiding emotional resonance, providing theoretical references for dance imagery creation.
Keywords: dance imagery; camera movement; emotional resonance; guiding mechanisms; visual narrative
Reference
[1]Primett W ,Mukhina K ,Yilmaz B M , et al. Kinaesthetic empathy through the lens of the cinematographer: physiological and phenomenological alignments in the act of creation[J].Frontiers in Neuroscience,2025,191613485-1613485.
[2] Gao Hesheng, Gong Xianyu. From "Consciousness" to "Freedom": A Study on the Diachronic Development of Motion Long Take in the Context of Digital Intelligence Technology [J]. Film Review, 2025, (18):8-15.
[3]Wang B ,Shi Q ,Wang X , et al. EmotionLens: Interactive visual exploration of the circumplex emotion space in literary works via affective word clouds[J].Visual Informatics,2025,9(1):84-98.
[4] Lü Baiyan. Exploration and Research on Camera Movement in Short Films [D]. Jilin University of the Arts, 2024.
[5]Zhang C ,Xu J . Documentary-Warm-Restrained: An Interpretation of the Aesthetic Style of the Long Take in Hirokazu Koreeda's Films[J].Frontiers in Art Research,2023,5(14):
[6]Alessandra C C . Lens — On Aesthetic Distance and Empathy[J].New England Journal of Medicine,2022,386(3):290-293.
[7]Si Shuyue. A Study on How Film Rhythm Resonates with Audiences [D]. Wuhan Textile University, 2017.
[8] Qin Ping. An Analysis of the Significance of Motion Camera Language in Dance Film and Television Works [J]. Film Literature, 2009, (17):121-122.